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      Perfume #57,    Cast iron/gold leaf, organic material, compact, drawings, text,   cut steel, tools, perfume paper12 x 13 x 3 inches      Pocket Full of Promises series.

Perfume #57, Cast iron/gold leaf, organic material, compact, drawings, text, cut steel, tools, perfume paper12 x 13 x 3 inches

 Pocket Full of Promises series.

   
  
 
  
    
  
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      Rosetta (wearing 4771),    Oil, assemblage, rain hat, and repurposed purse ,    11 x 11 x 4 inches.     Pocket Full of Promises series     

Rosetta (wearing 4771), Oil, assemblage, rain hat, and repurposed purse11 x 11 x 4 inches.

Pocket Full of Promises series

 

   
  
 
  
    
  
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      Reliquary (Encrusted Book of Nature Thoughts),    Oil encaustic, paper, text, organic,material, gold leaf, buttons, plastic, jewelry, change purse and repurposed vintage purse  ,  4.5 x 7.5 x 5 inches.     Pocket Full of Promise series

Reliquary (Encrusted Book of Nature Thoughts), Oil encaustic, paper, text, organic,material, gold leaf, buttons, plastic, jewelry, change purse and repurposed vintage purse , 4.5 x 7.5 x 5 inches.

Pocket Full of Promise series

   
  
 
  
    
  
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      My Workbag,    Wire, plaster, oil, drawings and letters, perfume, miniature figure,    assemblage, repurposed straw purse, 13 x 18 x 10 inches.      Pocket Full of Promises  series        

My Workbag, Wire, plaster, oil, drawings and letters, perfume, miniature figure, assemblage, repurposed straw purse, 13 x 18 x 10 inches.

Pocket Full of Promises series

 

 

   
  
 
  
    
  
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      Nucleus of the Ancient City of Ortygia, Siracusa, Sicilia.    Drawings, painting, photograph by artist,oil and molding wax, metal, and repurposed vintage purse ,  8 x 12 x 5 inches.      Pocket Full of Promises  series

Nucleus of the Ancient City of Ortygia, Siracusa, Sicilia. Drawings, painting, photograph by artist,oil and molding wax, metal, and repurposed vintage purse, 8 x 12 x 5 inches.

Pocket Full of Promises series

   Orabella,  Paper, wax, plastic handle, oil on paper, 11 x 8 x 2 inches.      Pocket of Promises  series

Orabella, Paper, wax, plastic handle, oil on paper, 11 x 8 x 2 inches.

Pocket of Promises series

   
  
 
  
    
  
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    Five hundred pastas   , Oil, encaustic, pasta (500), and metal on repurposed vintage purse,   6 x 11 x 3 inches.     Pocket Full of Promises  series

Five hundred pastas, Oil, encaustic, pasta (500), and metal on repurposed vintage purse, 6 x 11 x 3 inches.

Pocket Full of Promises series

   
  
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      Ritorno    ,  assemblage, copper, paper, and oil on panels ,    32 x180 inches, Triptych, 32 x 180 inches.       full view

Ritornoassemblage, copper, paper, and oil on panels32 x180 inches, Triptych, 32 x 180 inches.

 full view

   Ritorno     ,  assemblage, copper, paper, and oil on panel. panel # 1, 32 x 60 inches.

Ritorno assemblage, copper, paper, and oil on panel. panel # 1, 32 x 60 inches.

   
  
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      Ritorno    ,  assemblage, copper, paper, and oil on panel.   Panel #2, 32 x 60 inches. 

Ritorno, assemblage, copper, paper, and oil on panel.   Panel #2, 32 x 60 inches. 

   Ritorno   , assemblage, copper, paper, and oil on panel, detail of panel # 2.

Ritorno, assemblage, copper, paper, and oil on panel, detail of panel # 2.

   
  
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      Ritorno     ,  assemblage, copper, paper, and oil on panel. panel # 3, 32 x 60 inches.      

Ritorno , assemblage, copper, paper, and oil on panel. panel # 3, 32 x 60 inches.

 

   
  
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      Ritorno   , assemblage, copper, paper, and oil on panel, detail of panel # 3.

Ritorno, assemblage, copper, paper, and oil on panel, detail of panel # 3.

   
  
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      Reliquary     ,  assemblage, paper, and oil on canvas ,  40 x 31 inches.      

Reliquary , assemblage, paper, and oil on canvas, 40 x 31 inches.

 

   
  
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      Reliquary   , assemblage, paper, and oil on canvas ,  40 x 31 inches. Detail.    

Reliquary, assemblage, paper, and oil on canvas, 40 x 31 inches. Detail.

 

 Station 1; The Sentence of Death      Get ready, get ready to die, the cherries say ,  —Issa    copper, assemblage, approximately 24 x 12 x  6 inches  This work includes fourteen stations but should be considered a single unified installation tiled:   No Greater Love      
  
 
  
    
  
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Station 1; The Sentence of Death   

Get ready, get ready to die, the cherries say—Issa

copper, assemblage, approximately 24 x 12 x  6 inches

This work includes fourteen stations but should be considered a single unified installation tiled:  No Greater Love

 

 

 Station 1; The Sentence of Death      Get ready, get ready to die, the cherries say,   —Issa    copper, assemblage,  approximately 24 x 12 x  6 inches  This work includes fourteen stations but should be considered a single unified installation tiled:   No Greater Love

Station 1; The Sentence of Death   

Get ready, get ready to die, the cherries say, —Issa

copper, assemblage,  approximately 24 x 12 x  6 inches

This work includes fourteen stations but should be considered a single unified installation tiled:  No Greater Love

 Station VI;  Veronica Wipes His Face    This lone iris, White in spring twilight.    —   Shiki   
  
 
  
    
  
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    copper, textile, assemblage, approximately 36 x 11 x  3 inches        This work includes fourteen stations but should be considered a single unified installation tiled:   No Greater Love

Station VI;  Veronica Wipes His Face 

This lone iris, White in spring twilight. — Shiki

copper, textile, assemblage, approximately 36 x 11 x  3 inches

 

This work includes fourteen stations but should be considered a single unified installation tiled:  No Greater Love

 Station VI;  Veronica Wipes His Face    This lone iris, White in spring twilight.    —   Shiki   copper, textile, assemblage, approximately 36 x 11 x  3 inches        This work includes fourteen stations but should be considered a single unified installation tiled:   No Greater Love

Station VI;  Veronica Wipes His Face 

This lone iris, White in spring twilight. — Shiki 

copper, textile, assemblage, approximately 36 x 11 x  3 inches

 

 

This work includes fourteen stations but should be considered a single unified installation tiled:  No Greater Love

 Station VVI: Nailed to the Cross  Italian immigrant construction worker,  Crucified in concrete. Leaving  behind mother and child   marble, copper, textile, wood, assemblage, approximately 32  x 11 x 5 inches        This work includes fourteen stations but should be considered a single unified installation tiled:   No Greater Love

Station VVI: Nailed to the Cross

Italian immigrant construction worker,  Crucified in concrete. Leaving  behind mother and child 

marble, copper, textile, wood, assemblage, approximately 32  x 11 x 5 inches

 

 

This work includes fourteen stations but should be considered a single unified installation tiled:  No Greater Love

 Station VVI: Nailed to the Cross   Italian immigrant  construction worker, Crucified in concrete, Leaving  behind mother and child    marble, copper, textile, wood, assemblage, approximately 32  x 11 x 5 inches        This work includes fourteen stations but should be considered a single unified installation tiled:   No Greater Love

Station VVI: Nailed to the Cross

Italian immigrant  construction worker, Crucified in concrete, Leaving  behind mother and child

marble, copper, textile, wood, assemblage, approximately 32  x 11 x 5 inches

 

 

This work includes fourteen stations but should be considered a single unified installation tiled:  No Greater Love