Inside, My Favorite Marble,  Oil, encaustic, marble and repurposed vintage purse, 6 x 3.5 x 7 to 4 inches.     Pocket Full of Promises  series

Inside, My Favorite Marble, Oil, encaustic, marble and repurposed vintage purse, 6 x 3.5 x 7 to 4 inches.

Pocket Full of Promises series

    Nucleus of the Ancient City of Ortygia, Siracusa, Sicilia.  Drawings, painting, photograph by artist, oil molding wax, metal, and repurposed vintage purse ,  8 x 12 x 5 inches.     Pocket Full of Promises  series

Nucleus of the Ancient City of Ortygia, Siracusa, Sicilia. Drawings, painting, photograph by artist, oil molding wax, metal, and repurposed vintage purse, 8 x 12 x 5 inches.

Pocket Full of Promises series

  Latona Siracusa,  Oil, metal, perfume, miniature figure, vintage ring box, assemblage and repurposed purse, 15 x 20 x 4 inches.       Pocket Full of Promises  series

Latona Siracusa, Oil, metal, perfume, miniature figure, vintage ring box, assemblage and repurposed purse, 15 x 20 x 4 inches.

Pocket Full of Promises series

  Five hundred pasta , Oil, encaustic, pasta (500), and metal on a repurposed vintage purse, 6 x 11 x 3 inches.     Pocket Full of Promises  series

Five hundred pasta, Oil, encaustic, pasta (500), and metal on a repurposed vintage purse, 6 x 11 x 3 inches.

Pocket Full of Promises series

  Renaissance Secrets,   Oil ,  Perfume bottles, compact, letters, glass slide image, marble, oil paint stick, Lucite, repurposed vintage knitted purse, 12 x 10 x 8 inches.     Pocket Full of Promise  Series

Renaissance Secrets, Oil, Perfume bottles, compact, letters, glass slide image, marble, oil paint stick, Lucite, repurposed vintage knitted purse, 12 x 10 x 8 inches.

Pocket Full of Promise Series

  My Workbag,  Wire, plaster, oil, drawings and letters, perfume, miniature figure, assemblage, repurposed straw purse, 13 x 18 x 10 inches.     Pocket Full of Promises  series

My Workbag, Wire, plaster, oil, drawings and letters, perfume, miniature figure, assemblage, repurposed straw purse, 13 x 18 x 10 inches.

Pocket Full of Promises series

  Filo,  Plaster, repurposed vintage purse, netting, perfume, letters, organic matter, fiber, metal on wood and metal base., 27 x 9 x 8 inches.     Pocket Full of Promises  series

Filo, Plaster, repurposed vintage purse, netting, perfume, letters, organic matter, fiber, metal on wood and metal base., 27 x 9 x 8 inches.

Pocket Full of Promises series

  Filo,   Detail     Pocket Full of Promises  series

Filo, Detail

Pocket Full of Promises series

  Perfume #57,   Cast iron/gold leaf, organic material, compact, drawings, text, cut steel, tools, perfume paper, 12 x 13 x 3 inches     Pocket Full of Promises  series.

Perfume #57, Cast iron/gold leaf, organic material, compact, drawings, text, cut steel, tools, perfume paper, 12 x 13 x 3 inches

Pocket Full of Promises series.

  Ritorno   ,  assemblage, copper, paper, and oil on panel, each panel, 32 x 60 inches.    full view 32 x 180 inches

Ritorno , assemblage, copper, paper, and oil on panel, each panel, 32 x 60 inches.

full view 32 x 180 inches

  Ritorno   ,  assemblage, copper, paper, and oil on panel. panel # 1, 32 x 60 inches.

Ritorno , assemblage, copper, paper, and oil on panel. panel # 1, 32 x 60 inches.

  Ritorno,  assemblage, copper, paper, and oil on panel. Panel #2, 32 x 60 inches.

Ritorno, assemblage, copper, paper, and oil on panel. Panel #2, 32 x 60 inches.

  Ritorno,  assemblage, copper, paper, and oil on panel. panel # 3, 32 x 60 inches.

Ritorno, assemblage, copper, paper, and oil on panel. panel # 3, 32 x 60 inches.

  Reliquary   ,   Oil, assemblage, paper, and on canvas ,  40 x 31 inches.

Reliquary , Oil, assemblage, paper, and on canvas, 40 x 31 inches.

 Station 1; The Sentence of Death   Get ready, get ready to die, the cherries say , —Issa  copper, assemblage, approximately 24 x 12 x 6 inches    This work includes fourteen stations but should be considered a single unified installation  Title:  No Greater Love

Station 1; The Sentence of Death

Get ready, get ready to die, the cherries say, —Issa

copper, assemblage, approximately 24 x 12 x 6 inches

This work includes fourteen stations but should be considered a single unified installation

Title: No Greater Love

 Station 1; The Sentence of Death   Get ready, get ready to die, the cherries say , —Issa  copper, assemblage, approximately 24 x 12 x 6 inches    This work includes fourteen stations but should be considered a single unified installation  Title:  No Greater Love

Station 1; The Sentence of Death

Get ready, get ready to die, the cherries say, —Issa

copper, assemblage, approximately 24 x 12 x 6 inches

This work includes fourteen stations but should be considered a single unified installation

Title: No Greater Love

 Station VI; Veronica Wipes His Face   This lone iris, White in spring twilight. —  Shiki  copper, textile, assemblage, approximately 36 x 11 x 3 inches    This work includes fourteen stations but should be considered a single unified installation  Title:  No Greater Love

Station VI; Veronica Wipes His Face

This lone iris, White in spring twilight. — Shiki

copper, textile, assemblage, approximately 36 x 11 x 3 inches

This work includes fourteen stations but should be considered a single unified installation

Title: No Greater Love

 Station VI; Veronica Wipes His Face, DETAIL   This lone iris, White in spring twilight. —  Shiki  copper, textile, assemblage, approximately 36 x 11 x 3 inches    This work includes fourteen stations but should be considered a single unified installation  Title:  No Greater Love

Station VI; Veronica Wipes His Face, DETAIL

This lone iris, White in spring twilight. — Shiki

copper, textile, assemblage, approximately 36 x 11 x 3 inches

This work includes fourteen stations but should be considered a single unified installation

Title: No Greater Love

 SStation VVI: Nailed to the Cross   Italian immigrant construction worker, Crucified in concrete, Leaving behind mother and child   marble, copper, textile, wood, assemblage, approximately 32 x 11 x 5 inches    This work includes fourteen stations but should be considered a single unified installation  Title:  No Greater Love

SStation VVI: Nailed to the Cross

Italian immigrant construction worker, Crucified in concrete, Leaving behind mother and child

marble, copper, textile, wood, assemblage, approximately 32 x 11 x 5 inches

This work includes fourteen stations but should be considered a single unified installation

Title: No Greater Love

 Station VVI: Nailed to the Cross   Italian immigrant construction worker, Crucified in concrete, Leaving behind mother and child   marble, copper, textile, wood, assemblage, approximately 32 x 11 x 5 inches    This work includes fourteen stations but should be considered a single unified installation  Title:  No Greater Love

Station VVI: Nailed to the Cross

Italian immigrant construction worker, Crucified in concrete, Leaving behind mother and child

marble, copper, textile, wood, assemblage, approximately 32 x 11 x 5 inches

This work includes fourteen stations but should be considered a single unified installation

Title: No Greater Love